Approach

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When Acting No Longer Becomes Complicated…

Transcript of Video

“I think one of the biggest obstacles actors face…

Is this idea that they are not enough…

That who they are…

Are the core level…

Is not enough…

To bring to the material that at hand…

And so that is when acting no longer becomes fun…

That’s when acting becomes complicated…

That’s when acting becomes really heavy…

And stiff…

And there’s like this paralysis in the space…

Because they are trying to fit themselves into this idea approach…

Of what they think is suppose to be revealed…

In regards to the circumstances…

And what’s missing…

Is we’re looking for you to reveal yourself in those circumstances…

We’re looking for you to bring the accumulation of your life experiences…

And put them in these circumstances…

And see what happens…

And it’s when we get away from the idea…

And the blueprint…

Of how we think things are suppose to go…

And what we are suppose to be

That we start to experience this exhalation in the work…

We start to experience this freedom in the work…

We start to experience fun in the work…

Because we then allow ourselves to ride the rollercoaster of the scene…

Because we are not shackled by ideas…

We’re running free…

By using ourself as the instrument…

And seeing where it goes…

In those circumstances…

And when we allow ourselves to really own who we are…

Acting no longer becomes complicated…

It makes sense…

Things make sense…

It becomes easy…

It becomes fun…

It becomes free…

So I think the more we escape…

From the idea of what we think we are supposed to be…

And own who we are…

The more our work becomes this alive thing…

That we get to witness…

And it’s beautiful…

Because we see this human being…

Having a real experience…

In a public way…

It’s kinda cool!”

 

 


The Approach…

Transcript Of Video:

“My approach of working with actors…

I don’t believe that there is THE way to get there in the work.

I believe that there is A way…

And that way is really about what resonates and stimulates the actor to do…

And continue to do…

Unpredictable, exciting, truthful, authentic, honest work in relation to the written material or the circumstances that are at hand.

I think when we start to hone in on just one way…

It does us a disservice as actors because…

It really locks us into thinking that if ‘this way’ doesn’t work…

Then we are not good at what we do.

And that’s not true.

I think it is with any kind of art form…

We find what works for us…

And what we can rely on…

And what has our back…

And we continue to use that…

And cultivate that…

To create a toolbox…

And a support system…

For an art form that we love.

And that’s really what my objective…

And my spine of this entire studio is about.

It’s there to serve the actor individually.

And to continue to allow the actor to expand…

And grow…

And exercise…

And challenge their instrument to explore the entire color wheel of the human condition…

In a really safe and challenging environment.

I think that’s what makes us unique…

Because it does take all these approaches…

And gives the actor an opportunity to exercise…

And experiment with those approaches…

To see what really resonates and works for him or her…

And I think its a really inspiring environment to do that…

Because you see how different we all are…

With a common goal of revealing the truth…

Of this ‘pretend’ world…

And really about bringing this ‘pretend’ world alive…

With this ultimate truth…

That we call ‘acting’.”