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How Much Are You Really Investing In Your Dreams?…

Transcript Of This Masterclass Lecture:

“This may trigger you. And if it does, that is a good thing! It asks us to really look at our actions with conscious awareness of what we are doing and not just move through the world unaware…Or even sleepwalking. If it does trigger you, then you need to honestly ask yourself, ‘Why does this freaking trigger me so much?’ ‘Easy’ and acting do not marry. They divorce very quickly. Let’s put things into perspective…Think about how much time you are putting into a job that is not what your end goal is. Think about that.Think about how many hours you are putting into something that is not what, at the end of the day, you are passionate about doing. Who is getting your energy? What is getting your energy? Now, it is no secret, and more importantly, there is no shame whatsoever that we have to do things to support ourselves while we are in this crazy field of being an actor, right? We have to support ourselves…We have to make an income…A lot of times, the work that we do get to do as actors is here or there, and it doesn’t always fulfill giving us everything we need to make a full income. So we have that (those) ‘safety job(s)’. That (Those) necessary job(s). But if you really think about it, how much energy are you matching the energy that you’re putting into someone else’s business when you are doing those jobs? And then how much energy are you putting into your own business? Meaning you, the actor that wants to be an actor? Think about that. Your boss is getting ‘rich’ (in what they are intending to accomplish-whatever that may be for him or her) thanks to you. You’re working hard for your boss’ dreams. You’re working hard to make your boss’ dreams come true. Think about it. For example…You’re exhausting yourself so your boss can go on ‘vacation’…So your boss can ‘provide’ for his or her family…So your boss can buy ‘nice cars’… So your boss can ‘take lessons to learn something else’…So your boss can ‘buy a boat’…So your boss can invite family and friends over to his or her ‘beautiful house’…You’re doing that. And people like you are doing that. Now I am not saying that is your intention of working that job…Your intention is to take care of yourself and those you are responsible for taking care of…But, regardless of your intention, you are still working hard and that very energy is, without question, going into fulfilling your boss’ intention..His or her dreams. But what are you doing for yourself to make that happen for you? Meaning your dreams…Whatever they may be for you? How much energy are you putting into your dreams being realized? How much commitment are you putting into making yourself an actor? Every time you build and maintain certain structures for your ‘safety job’, you’re justifiably fulfilling that structure to succeed…Because that is why you are hired. Well as an actor, you have a structure that you need to build as a foundation to allow your business to stand strong and succeed…And to be able to weather the storms when they come. How many hours are you putting into being an actor? And if you’re not doing that, where do you think it’s going to happen from? Who’s going to do it for you? Do you think it’s just going to happen spontaneously? Do you think just your raw talent is enough to actually get and have a job that’s for the long run? You have to, first of all, do all you can to even be seen to even be considered for the job. And more importantly, you have to know what you are doing in regards to the craft and in the business. And you have to actively be the most important participant in that very pursuit of your own business! You have to be your hardest working employee and also the CEO! Yes, you may be lucky enough to get a job here or there, but as we all know, every single job an actor will get his fleeting. It will always end…And you will always have to find something else to sustain you. You always have to go on another audition…You always have to hope that another job…that next job…will come along. So who are you really taken care of right now? Yes, you’re taking care of yourself financially because you have to…it’s justifiable….it is necessary. But as an artist, who are you really taken care of? And you have to be really honest with yourself. How much am I really putting into being and doing what I want while I am here on this planet? You’re not promised tomorrow…Your promised right now…So if God forbid you’re not here tomorrow, have you been able to say to yourself…Can you honestly say to yourself…’I have given it my all to do what I feel like I’ve been brought here to do.’? Or, are you saying I work hard just to pay my bills…To play it safe…And so my boss can succeed in his or her dreams? Where are you in that? Where are you in that? Think about it.”
I hope you enjoy this masterclass lecture.
Much Love,
Mario

#MarioCampanaro

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The Actor’s Fight To Intimately Connect…

In this masterclass interview, we discuss one of the most important aspects of the work that any seriously committed actor/artist must pursue. That is our ability, commitment, courage, and heart to intimately connect and communicate with another human being. Now I know this may sound like something that is common sense or even elementary…but truth be told…it is a real issue that we are facing…not only as artists…but as a collective. We are losing our ability to humanly share a piece of who we areas we are…in any real given moment…in front of another…just as we are losing our ability to hold space and witness another having a genuinely authentic experience in front of us. This day and age does not require us to connect on a real personal level. We don’t hold ourselves or others accountable to communicate. Everything, for the most part, is now existing behind a little blue screen. It does not call for an immediate exchange of personal human interaction and connection. We text…we email…we Instagram…we Facebook…we Tweet…we Snapchat…we barely pick up the phone to call anyone anymore. And worst of all…we ghost each other when things require us to get real and honest. If this triggers you, you know it’s an issue. We are more intimately connected to our cameras in our phones than we are to using our phones for their original purpose…which was/is supposed to be to communicate and connect. Rarely are we choosing to sit down in person and connect…communicate…speak…talk…discuss…share…listen…and commune about our lives and our experience and our story. We have gotten addicted to the ‘one-way‘ way of communicating. Why? Because it is convenient, safe and does not allow for any discomfort. We don’t remember…or maybe even know…what it is like to just BE without having to watch and edit ourselves. We pick and choose what we want to share by what fits into a square box that is socially brainwashing us to believe that we are only supposed to be this idea of perfect…or having it all together. All the rest, we hide. And so we Face-tune our lives to morph into a dangerously inaccessible and unrealistic dynamic. We don’t talk about our difficulties. We don’t share our struggles. We don’t open up about those things that are complicated and weighing heavy in our hearts. We have allowed ourselves to not allow ourselves to sit in the discomfort of what it means to be who we are in front of another and be open to another being who they are in front of us. You know, being a human. So we choose the easy-safe-adopted-present day way. And that’s what is dangerous for the artist…because we don’t have to really reveal ourselves…we don’t have to really show up…and therefore we don’t really have to hold space or expect others to do the same. We just accept trivial inauthentic impersonal connection. But it is crucial to remember that all those things that we have difficulty executing in our every day lives, are going to inevitably show up in our work. If we play an idea of ourselves in our everyday lives, we are going to play ideas of the human condition in the work. If we cannot just sit with another as we are and allow them be as they are, we are not going to be able to do that kind of required “intimacy” in our our work. We are limiting ourselves and we are quickly weakening that invaluable human muscle of what it is to be ourselves, to be imperfectly perfect human and to allow others to be imperfectly perfect as they are…and then allow that and all of us become worthy of being witnessed and shared without apologizing for it. The more we fall into the quicksand of not connecting and not communicating, the more we lose that muscle as artistic instruments responsible for sharing the complexities of the human experience…to live our most private essence of who we are in relation to the safety of given circumstances in a public way. We just become robots trying to fill moments with inauthentic ideas and/or actions of what we think a moment being human in relation to given circumstances and another human is supposed to be. Plain and simple, we have to continue to exercise our ability to intimately connect and communicate with others and take the risk to experience the discomfort within that authentic interaction. And we have to fight for a tribe willing to do the same. We have to start and keep sharing our stories.
I hope you enjoy this interview.
Much Love,

Mario

#MarioCampanaro

TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.mariocampanaro.com


Why We Continue To Study The Craft…

In this Masterclass interview, we discuss why it is so important for the actor to consistently explore, exercise and cultivate the craft of acting. Our craft takes work. Plain and simple. It takes discipline. It takes commitment. It takes accountability. It takes consistency. And most of all, it takes dedication. We have to understand that our craft will only support us as much as we have it ingrained in our being as a second muscle easily accessible for the demands of our work. It is not going to be there to fully support us unless it is exercised. It cannot live in ‘theory’. It cannot just live in our ‘head’ or an ‘idea space’. We have to know what we are doing, how to get there, and why we use certain tools to fulfill specific aspects of the life of the text. We have to be in the known so we can live in the unknown of themoment. And it all has to be practical. It has to be tangible. It has to be useable and executable. And for that to happen, it needs to be exercised and exercised and exercised no matter where we are in our career or however long we have been doing it. It asks of us to consistently exercise/explore/discover physical, psychological, listening, and emotional muscles (not to mention textual detective work and the art of actively  listening/pursuing/overcoming) that we do not really tap into within our everyday life and then have the tools and awareness to be able to utilize our instrument to reveal that part of the human experience. And let’s be honest, most do not have the privilege of working in this manner every day. And depending on this or that audition to test out/try to do the work is not going to do the trick. That is a whole other set of muscles that our craft needs to support us in, so our work can fulfill the text with truth, authenticity, and uniqueness in the room or on tape. Just like holding off going to the gym, if we do not work out those muscles, they, unfortunately, become weak and do not have the stamina/know-how to fulfill the task at hand. We live in a day and age where everyone seems to want the easy road. Why wouldn’t we, right? Insta-fame is the new normal expectation or desire. It is natural for us to want to pursue the easy way when we see the way social media presents notoriety. However, when we choose this path as actors, as artists, we have to be honest and understand there is nothing easy about the journey. We cannot be lazy in the pursuit of our work. We have to be responsible. We have to reveal the complexities of the human condition. We have to go to places within ourselves that are complicated, vulnerable, and uncomfortable and then be generous enough in mind, body, and spirit to share a piece of ourselves in service of the text, for the purpose of art and in honor of the human condition. And as we exercise those muscles, we may have to go through growing pains many times as we explore the full color wheel of the human condition. And we have to explore all that in a safe yet challenging environment. It is through those difficult times and the exploration of them, that will come our greatest inspirations for our work.   ‘On the job’ is not the place to experiment and find our craft. We are there, paid, with the expectation to deliver…to already know what we are doing so we can do the job at hand. We have to keep our instrument awake as we do our part in understanding the fullness of life in the text that gives birth to the text and what is between it. And then we have to have a toolbox that we can depend on that will support us in going to those places within our instrument that are necessary to live the full spectrum of the life of the text. And studying the craft, going to a responsible studio, holding our mentors/teachers accountable for challenging us, being honest with us, caring about our growth, and really knowing how to individually give us the tools that will support our craft and work as an artist is simply necessary. Stay in the learning. As long as we are alive, we will have to continue to study the craft because life itself is an endless unpredictable complex lesson…and therefore, so will every piece of text that is presented to us.  
I hope you enjoy this interview.
With love,
Mario

#MarioCampanaro

TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.mariocampanaro.com


Why Are You An Actor/Artist?…

In this Masterclass discussion, we open up about how very often there are going to be times during the journey that we are going to confront many bumps in the road. These peaks and valleys will very often challenge our relationship to acting. Why wouldn’t they? Our work uses the Self as the instrument to create the music of life for our artistry while also serving to live story in the safety of givens…for the purpose of community and the awareness of all the trials and tribulations of the human condition. And that Self is the very beautiful, very complex, very layered, very sensitive and very vulnerable human instrument. The work in and of itself will inevitably bring up a myriad of complex obstacles and therefore a self-exploration that asks us to question why we have taken on this journey of being an actor/artist. The industry and business side of being an actor/artist is a whole other mountain that can really trigger a myriad of circumstances causing a lot of dissonance within the relationship to our work. These difficult times can manifest complicated thoughts and feelings such as frustration, depression, competition, anger, resentment, self-esteem issues and more often than not, a love/hate relationship to the work. It can also trigger very complex issues within the Self creating a very interesting labyrinth of self-exploration that necessitates the need for observing, understanding and even possibly healing those triggers that threaten our relationship to our work/art and go so far as stimulate unproductive self-deprecating and self-destructive thoughts/feelings/emotions/behavior. Whether it is stemming from the work itself, the industry /business side of things, our own personal history or any other known or hidden factors, they all ask us to question what we are doing and why? I encourage you that when times get rough, always try to go back to that first time you chose to follow the path of your artistry. Remind yourself why you made the choice to do it and connect to that within your mind, body and spirit. Connect to that reason that first inspired you, excited you, motivated you, stimulated you, and called you to the craft. And then hold that dear in your heart.
I hope you enjoy this very open discussion.
With love,
Mario

#MarioCampanaro

TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.mariocampanaro.com


Resistance: Risky Business…

In this Masterclass interview, we discuss how very often our resistance to our own growth is one of the biggest things standing in the way of our own forward momentum. We discuss what our training as artists is all about. Very often we can easily get caught up in the idea of having to “perform“, having to “be perfect or right“, having to be “on“,  or even having to prove “something” to our fellow ensemble members and/or the teacher. That is the exact opposite of what should be happening. The participation in any acting studio or ensemble should really focus on committed like-minded professionally-oriented actors coming together and wholeheartedly holding space to explore, discover, learn, grow, expand, share, support and cultivate the craft of acting. There should be the focus of committed like-minded professionally-oriented actors coming to work, to really do the work knowing each and everyone is there respectfully for the work. And more often than not, it is there where committed like-minded professionally-oriented actors come to find their tribe, their artistic home, their creative family, their ensemble. But that environment should not be used to contemplate our worth. We have to know we are worthy. That environment should not be used to ruminate about the respect we deserve. We have to know we are deserving of respect. That environment should not be used to ponder if we should be seen and heard. We have to know we have the right to be seen and heard.Part of being an artist in any learning environment is in the knowledge of what we are there to do and why. That does not mean we will not be challenged. Because we will. We will all the time. In fact, that is why we there. Challenges allow for growth as long as our resistance does not hold us back from our very own growth. But we cannot get that famously sought out “breakthrough” until there is an honest awareness and a profound understanding of what it is we are actually trying to overcome and learn. We have to be honest with ourselves and remain open to learning and growing.  Otherwise, we just remain on a merry-go-round of unuseful resistance and continue to have an un-evolved cyclical stagnant experience. Not ideal for an artist. We have to dive deep within ourselves and the work to discover all the treasures. And sometimes the true learning may have to come from the unlearning of what was once learned. One of the biggest obstacles we may have to face as actors is developing a tough enough skin to remain open and available to the work as the work challenges us in a myriad of ways. Very often the work is going to hold a mirror up to us and sometimes it is not going to be pleasant to face things that are stifling us or holding us back. But as actors, we have to be willing to stand up and face the music. There is no room for escapism in our kind of work. As actors, as artists, we have to be OK with allowing our instrument to experience discomfort as we grow. We cannot resist or shy away from it for it is that very discomfort that is the exact ingredient to our growth and to fulfilling the most complex realities of the most complicated circumstances. Our discomfort is pregnant with the substance needed to be utilized in our work. We have to be courageous enough to actually step out of the “safety blanket” of the ego, and into the reality of all that delicious discomfort as the artistic warriors that we are. It is through our instrument that we become the vessel to living the most complex, complicated and even inexplicable essence of the human condition in a very public way. But that kind of necessary bravery has to be consistently and safely worked on without consciously trying to run away from it. We have to confront it in the moment and work through it in the moment. It does not just magically happen when we step onto the stage. Working through it, void of resistance is how real learning begins. We have to stay the course. We cannot let what we were not able to overcome or achieve yesterday hold us back from what we may be able to overcome and achieve today. The fact that we continue to stretch our limits and openly reveal ourselves is a true testament to our inner strength, creativity, and light as artists. Do not take for granted the fearlessness that this art-form demands. As I always say in all of my classes, it is not for the faint of heart. The artist’s way is to persevere.
I hope you enjoy this interview.
With love,
Mario

#MarioCampanaro

TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.mariocampanaro.com


THE ACTOR’S MIRROR: THE INVALUABLE PRACTICE OF EVERYDAY SELF-OBSERVATION…

In this Masterclass interview, we discuss the importance of self-observation and how it pertains to the work of the actor. By allowing ourself to be the subject of study and examination, we get the incredible first-hand opportunity to see that everything we do physically, psychologically, and emotionally has something behind it. We always have a destination. There is always a motivation. There is always an intention. There is always something wanting to be achieved. There is always a why. There is always how. There is always something to overcome. And there is always a response to something as it pertains to wants or needs and relationship to people/places/things. As I always say in all my classes, whatever you know in life based on where you are and the circumstances you find yourself in, the character will also know based on where he or she is and the circumstances he or she finds him or herself in. So what a great opportunity to be able to break down that aspect of the craft and explore it moment to moment in your own personal life so it becomes second nature in the break-down of the work itself. You will always know:  Where you are coming from, how you got there, and why you were there. You will always know where you are right now, what you want now that you are there, and what you are going to do in an attempt to get what you want. And you will always know where you are going (even if you are lost, you still have the knowledge of where you want to end up), why you are going there, and what you want once you get there. And last but not least, it goes without saying that this exploration really tunes us into our own Self. It brings to light all those aspects of life that we struggle. Triggers will show up. Responses to relationships and situations will begin to have “reason” (whatever they may be has a cause) for what they are and why.  And you will also begin to see that many of the obstacles you face in your work actually mirror the same obstacles you discover and face in your everyday life. Why wouldn’t they? We are revealing life and who we are is the very instrument to do just that. The more we practice self-observation, the more we allow ourself to face aspects of who we are and what may be stifling us, blocking us and even closing us off and why. Where there is awareness, there is a limitless opportunity for growth and expansion. It brings us into a more intimate relationship with who we are and therefore allows us to be more intimately connected and present in our work.
I hope you enjoy this lecture.
With love,
Mario

#MarioCampanaro

TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.mariocampanaro.com


A Mission Statement For The Actor…

With all the recent tragic events happening in our world, we had quite an emotionally charged week at the studio. All these horrific events beg to question what does it all mean? Why does it all happen? When will it change? Will it ever get better? Does it get better? When will we learn? When will we wake up? What am I doing? What can I do? Does it even matter? Well, it does matter. And you matter. And it will get better. It does get better. I hope this lecture serves as a reminder to know that you matter. I hope it serves to inspire you to know that your work matters. As actors, as artists, as co-creators, we all have a calling and even a mission, that is capable of shifting some of the darkest realities and consciousness that humanity still has to face with the objective of creating a better today and tomorrow…provided that we take on that role responsibly and with commitment, accountability, respect, compassion, awareness, insight, and pure intent. Never forget that you, your voice, your instrument, your actions, and your work are infinitely more powerful than you have been led to believe. Never underestimate that your individual creative power has the potential to uplift and even heal those who you may never even know in this lifetime. But like a pebble being gently tossed into a vast pond, that ripple effect with reach all those whom it is meant to reach.
Stay the course.
Stay an integral part of the process.
Stay intent.
Stay awake.
Stay in that creative transformative light.
You can move mountains…
I know you can…
And we will…
I hope you enjoy this lecture.
With love,
Mario

#MarioCampanaro

▫️ TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.MarioCampanaro.com


Life Or Death: The Human Spirit’s Fight For Survival…

In this Masterclass lecture, we open class with a very raw discussion about what it means when it comes to “life or death” stakes in the work. Our very talented and brave ensemble is working on a play that demands each member to viscerally understand and endow what it means to fight for one’s survival in the name of life and love without it being diluted by “ideas” of what that fight really entails. On a personal note, and to be quite frank, this was not an easy week for me to teach. In fact, I felt quite exposed. I felt quite vulnerable. I even felt quite isolated in my experience. And because of those feelings, I knew this was exactly what my heart was asking me to reveal in the lecture. So I needed to face all that and use it as the fire to my own breakthrough as well as in service of the work. Ya gotta practice what you preach, right? Otherwise, ya got no right to ask the equivalent of others. It is not the “easy” that makes us artists. It is not the “easy” that makes the difference. It is our complexity. It is that stuff that we feel we may need to hide. It is all those things that make us feel broken. It is that deep, messy and sometimes even shattered truth within all of us that is called for in the creative process. It is all that stuff that has the ability to open hearts and transform things for the better. It is all that stuff that brings us closer and closer to the ultimate truth. In preparation for this class, I had to do a lot of soul-searching to be able to reveal what I really wanted to teach on this very human and dark subject. I also wanted to be able to teach this part of the work with the utmost integrity and respect that it deserves. In my own life, I have had to fight tooth and nail in order to stay alive from a very complicated illness that has tried to take me out on multiple occasions. And for the most part, I have had to do that alone. When all known treatments have failed me, I had to take it into my own hands to find the answers to this crazy chronic illness that we still just do not have enough research for or answers to. And to this day, I still fight with all I have to make sure that I survive. So having tasted this notion of what it means to really survive based on my own circumstances, I wanted to substitute that experience to be able to share some kind of insight in a way that it can relate somehow someway to the extreme and horrific circumstances of the piece we are working on. We hear the words “high stakes” so often in our work but rarely do we take accountability to truly define what that means in relation to the circumstances and life of the character. We tend to go to the “idea” place of what that means…and even the emotionality of those circumstances…without realizing that in such high stakes, those ideas and all that emotionality may very well be the thing that gets in the way of the character’s survival itself. We have to understand that in those circumstances where it is “life or death“, there is something primitive that kicks in with laser focus to be sure that we survive. Sometimes all that emotion is a luxury that we just do not have in such extreme circumstances. It does not mean that all that emotion and feeling is not present. Because it is. And it is there deep down. And it is complex. And it is painful. And it is scary. But do we have the time and place to reveal it? To feel it? To go through it? Or do we need to refocus that energy, conserve it, and use it as the substance, the gasoline, the useful energy for survival? You see, there is something else that takes precedence. And that is that fight or flight instinct within all of us. It is that something instinctual within that works overtime to constantly figure out what can be done to survive life-threatening circumstances even if it means taking what may be considered outlandish risks just so one can stay alive. And we, as actors, have to find a way to understand and justify such actions without judgment so we can truly live them in our work. And we have to be sure that we are not playing all that emotionality thinking that it will somehow someway gain the compassion, love or sympathy from the audience. That is not the story. That is not our job. That is not what the character has to do to stay alive. If we do that, we lose the very action necessary to fight for survival. We need to stay the course, using all that emotion and feeling as the driving motivation to the do what we have to do in the scene, based on and in line with the text, to try to get what we want based on the circumstances and elements that we are in, the relationships that surround us, the obstacles standing in the way of those needs, and all the actions (spoken or unspoken) that we are willing to risk to accomplish what we are setting out to do with the intention to survive “life or death” stakes. And so we, as actors, begin this brave journey exploring and revealing the human spirit’s fight for survival in the name of life and love. And we honor the lives and stories of those who have suffered such atrocities throughout history. And we shine the light on such darkness that is still happening today with the hope, even if as a small part, of ending such suffering.
I hope you enjoy this lecture.
Much love,
Mario

#MarioCampanaro

▫️ TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.MarioCampanaro.com


The Heart Of The Creative Warrior…

In this Masterclass lecture, we have a “heart to heart” discussion about what it means to bring our heart to our work. Despite what many may think, the actor’s work is not just about going up on stage or screen to resight lines that a writer has written. There is no art in that. There is only the skill of memorization. We, of course, have the foundational tools that we will always use to bring us intimately into the world of the text. But after that necessary work is accomplished, the actor is called to live his, her or their most private essence in a very public way as it pertains to the given circumstances at hand. You see, the text is this incredible skeleton just waiting to breathe. And the actor is that brave soul that comes along to breathe the life into that skeleton. And that asks of the actor to share a piece of his, her or their heart, mind, body and spirit with the world of the text. And by the nature of what we do and the circumstances we are asked to reveal, we are inevitably going to be confronted with specific aspects of who we are that we may have closed off for one reason or another to those specific or similar circumstances. It is no secret that all those blocks and obstacles that we may experience in our everyday life are in some way somehow going to show up on our work. Why? Because we are asked to LIVE in our work. And the only way we can live in our work is by using our own instrument married with the accumulation of our own life experiences, observation, research and of course the power of imagination. You are the instrument to that life. You and your heart are the battery to that life. And in order to really do that kind of profound work, one has to go through some kind of emotional warfare at times to thoroughly endow the journey that a writer has written to give any given character the respect and life that that character is due. In other words, there needs to be some kind of internal exploration to gain some kind of visceral understanding and personal connection to what you are being asked to live and reveal so the truth can be brought to life in the work. And sometimes this requires facing our own personal obstacles. And sometimes this requires us having to face our own pain. And sometimes this requires healing. And sometimes this means having to safely work on unresolved parts of yourself and your heart outside of the work. The more you work on these unresolved parts of yourself in a safe and appropriateenvironment the more it allows you to experience your true wholeness so you then can bring more to your work. Now please do not get me wrong and let me be VERY clear! I do not think acting or acting class should EVER be used as or in place of therapy (even though I am sure in some ways it may very well be therapeutic for some). But I do think our work asks of us to constantly be working on who we are. I do think our work asks us to look at and heal our wounds. I do think our work asks us to have a courageous awareness of what has been shut down or what has been shut off. I do think our work asks of us what can be used and what most definitely should not be used in our work so we can make informed choices that allow us to safely and sanely bring potent life to our work. It is up to the actor to have that awareness of what he, she or they need to do to safely work on his, her or their own instrument (Self). And this will obviously be a life long job as life will always be hitting us with curveballs that need to be healed. The more you do that Self-work, the more you will be able to bring to your work. But nonetheless, it needsto be done. You have to always be working on yourself and taking care of yourself. At the end of the day, our instrument is that beautifully complex life force that is going to mobilize a character that only exists on the written page. And the actor is that creative warrior that volunteers to do just that!
I hope you enjoy this lecture!
Much love,
Mario

#MarioCampanaro

▫️ TAG ▫️SHARE ▫️COMMENT ⚪️For more information on Mario Campanaro For The Actor & MC²=Mario Campanaro’s Masterclass, please contact our administrative department at assistant.MC2@gmail.com or visit us at www.MarioCampanaro.com


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